As a designer I believe in the importance of creating with the user in mind. It is essential to think about who the user might be and what experience we want to create for them. The Corner Chair was designed with the user’s mental health and feelings in mind, falling into the category of inclusivity. The idea of having a seat where the back can be embraced by two walls and being able to sit outwards and face everything else in the room intrigued me. I thought about myself and what kind of chair I would choose when sitting in a cafe and studying or even at home thinking or maybe praying. The mixture of privacy with the ability to see everything is rather comforting.

The corner serves as an intimate spot where someone can feel alone and within a space of comfort without feeling isolated from everything else. Rather than separating the user completely, it creates a space slightly removed from the loud, central parts of our lives, a place to the side where one can still observe and feel connected.

In terms of design, the Corner Chair is visually minimal and not overstimulating, allowing it to fit seamlessly into a variety of spaces. It adds value to a room without demanding attention. Its simplicity in form is balanced by the complexity of its construction, emphasizing thoughtfulness through craftsmanship and material choice. The chair avoids unnecessary visual noise and instead expresses clarity and material honesty.

Functionality is also essential. The chair was designed to be adaptable, usable across different contexts, environments, and users. Its simplicity shifts the focus away from itself and toward the user—their needs, their feelings, and their experience. In this sense, the chair embodies humility.

The materials of the Corner Chair are intentionally simple, consisting of plywood for the paneling and lumber for the frame and legs. The wood is conditioned to achieve a rich, warm finish.